Sunday, 24 June 2012

My Bibliography


Bibliography

Books
  • Hughs, R (1989), Lucian Freud: Paintings, Thames & Hudson, High Holborn, London. ISBN 0500275351.

  • Sylvester, D, Shiff, R, Prather, M (1994), Willem De Kooning: Paintings, National Gallery, Washington. ISBN 0300060114.

  • Hockney, D, (4 Dec 2008) Hockney On Art: Conversations with Paul Joyce, Little Brown, ISBN 140870157X.

  • Bradley, F, (1 Jan 2002), Paula Rego: Modern Artists series, Tate Publishing, ISBN 1854373889.
  • B. H. D. Buchloh, Beate Söntgen, Ulrich Wilmes, Gregor Stemmrich, Haus der Kunst München, Museum Ludwig in Books, - Hatje Cantz, (2008), Gerhard Richter: large abstracts, ISBN 3775722491

Websites

  • A Man and his Grid! Artist Chuck Close! (online) Give us art! Available:http://giveusart.com/2011/08/02/a-man-and-his-grid-artist-chuck-close/(21 June 2012 22:31:08
Galley Visits

Saatchi Gallery

Royal Academy- David Hockney Exhibition

  • http://www.royalacademy.org.uk/21 June 2012 22:45:07

South Bank Centre

  • David Shrigley: Brain activity, Hayward Gallery, South Bank Centre, 1 February-13 May 2012.

My Evaluation


Evaluation

Overall for my evaluation I feel my FMP has been extremely successful.
Throughout my ideas some development work was stronger when it came to painting and drawing others weaker when it came to experimenting with various media. The work I have created has all linked to my Final piece. The artist I feel links to my canvas the most is Chuck close as my piece is very precise and accurate when observing from my photograph.
The comments from my tutors are all positive views. The advice given to me while working through my book helped me concentrate on what I needed to produce when increasing my ideas. The comments from my family are also good as they feel my piece is extremely detailed and has worked well as my final outcome.

My proposal


Holly Riding 
 Fine Art 
Final project proposal
Experimental Portraiture

Review
The skills, techniques and processes I have learnt and used in units 5 and 6 will show in my FMP. Working on projects earlier in the course provided me with a variety of techniques such as using line and mark making, using tone, observing, painting and drawing mainly from installations made from junk. I also constructed an assemblage box, and from this produced a piece using colours based on a limited palette. Experimenting with grids, layers and reflections played a huge part in my work, and as my ideas have progressed, will continue as I carry on towards my FMP.
My project will build on the strengths of my earlier work particularly in the use of colours, layers, surfaces and composition.

Ideas and Concepts
My next step and aim is to explore the theme of portraiture, in doing so I will emphasis the colour, surface and mark-making qualities within the images, and push the work towards producing abstract paintings. One idea I have is to produce and display canvas’s that investigate the boundaries between figurative and abstract art. This will develop in my work as I will create a body of work based around portraiture and colour, using classmates and family as subjects to provide a starting point. I am interested in a wide range of artists and want to experiment with a number of alternative approaches to portraiture.

Contextual Research
The contextual research will help my understanding of the issues I am dealing with and can influence my own pieces. The work of relevant artists can give me a boost, well known artists such as Gerhardt Ritcher, Lucian Freud, Willem De Kooning and Jenny Saville, can suggest ideas and approaches. Individuals that work with not only colour or portraiture but who show expressive abstract qualities in their work are particularly relevant to me. I recently went on a week long study visit to London which has helped me identify relevant artists, and in addition to using the internet and library to find out about other artists I will also use local galleries, as I now realise that paintings are often very different seen in real life to how they look in a book or on a computer screen.

Techniques and Presentation
The primary research I shall undertake will include a series of observational drawings, photographs, and studies of family and friends. This will be providing me with the chance of experimenting in paint with colour, surface and layering, improving and developing my painting style. The methods I can use to create and compose work will be presented in my sketchbook, on a blog, or a journal, and by doing so will show the audience the variety of my thought processes and be able to evaluate my work as I go along. Using collage I can create a raised, textured surface, this can add a further quality to my work. I will be able to present or display my final pieces in the exhibition, either as a series or sequence of inter-related small images or a large scale painting.

Evaluation and Progression
For my evaluation I will gather feedback and helpful information that is given to me, this will not only come from my tutors but also my family and friends. The comments they have to share will help me; feedback that I shall take on board will hopefully identify the strengths and weaknesses of my work. Finally when I put up my exhibition I will also compare my work back against the work of the artists that have influenced me, to see whether I have succeeded in developing work that has some of the qualities of their work.













My exhibition space

The place that I had been given I thought was very reasonable as it was very open, not to cluttered. No lighting was needed since the windows gave out natural lighting that I felt was much better for my pieces.









My photographic joiner

I was going to add this to my exhibition wall, but I had a downfall. As I was cutting the foam board I had mounted it onto, the Stanley knife was not sharp enough, this ended up with the edges becoming extremely ragged and worn down, this did not look professional when it was on the wall, the tutors told me they the exhibition looked perfect as it was. At first I felt disappointed as I had worked well to create it but had let it down by the edges of the foam board.



More pictures from my Final piece

The photographs are all of what I took to show the patience and time, creating it in every way. I am wanting to show the audience the steps I had to go through each time to get past every little mark to pursue my goal.





















My Final Piece




These are the photographs from my Final Canvas piece I created, as you can probably see I wanted to create my realistic look, and I feel that has been a strength and worked very very. The tones and colours I wanted to get as close to the real thing as I could, it was a challenge but I feel I have pulled it off by spending all my time and effort in to making it as perfect as I wanted, until I was happy and felt pleased with it.

Alice Neel and the Photograph to my canvas


Again I hadn't heard of this artist until Richard showed me. She is another artist for my book but I am not very much interested in her work as I feel it is too dark and strange for the work I am doing as it is not really par of what my project is based upon. Her work can change from simple portraits to extremely obscure pictures of insane drawings, like the skull up above.



This is coming to the end, after creating my canvas I used this picture to guide my self through my painting as it is very detailed and shows me most of the tones, colours and tiny features that I need to show in my work if I want it become something that is going to be photo realistic.
The contrast of paint I have demonstrated in the surrounding in the photograph shows the ability for my eye to use colour well using my paper as a palette, trying to get the paint as close to the tone of the face I can get them.

My prints using the choosen joiner


Due to the fact of me only focusing on one subject, I wanted to produce a couple of prints from the joiner I would use in my book.
By doing this I am adding variation to my book, as it will show my versatility and indepence to create something not other than a painting or a drawing.
I did enjoy making the prints, however they havent turned out as what I thought they would end up like.
I feel I should have added alot more detail when etching into the acetate as it would have given me the greater chance of me having a better more increased piece of work.




Some of my Prints turned out stronger than others due to the fact of myself in the first place using the wrong acetate, since it was alot thinner and wouldn not have taken in the ink well.



I did decided to add water colour to some of the prints as I noticed they where all near enough the same, I had a feeling this would have been quite plain and boring for my pages. Simply by adding colour to some of my prints has lifted the outline and tone of my prints making them fresh and new.



I also wanted versatility in my ink production, I didnt think it would work which it didnt but by printing onto material gave the page a whole new look as I was not only adding a mixed media piece to the page but variation. It has given me the change to show I am not afraid to try out new things as I feel I hold back on that sometimes when I am working in my book.

Albrecht Durer

These are some of the famous print maker Albrecht Durer's woodcut work...

His work is not similar to mine but just an example of some of his art:



More demonstrating of colour and painting techniques




This is a section of my grandmas eye I felt would be interesting to paint. I used water colour once again as I wanted to only give a weak effect to the page making it look very faint and almost fragile on the page. I do enjoy using water colour as it is easy to smudge and blend as I can add as much water to it as I can, like I have done here it simply drips down the page making it as if the page is whole.


As I had some Photographs left I needed to fill my page, I couldnt think of what to use. But I had an idea to cut my photograph up and arrange it in an un organized manner, like a joiner as I wanted to show a joiner in a different light rather than using the same pictures I have used throughout my book.

Cecily Brown

I had not heard of this artist before until Richard had shown me a couple of artists he thought would tie in perfectly with my work...



Her work in some way reminds me of Gerhardt Richter's work down the fact it is extremely abstract, as he uses very powerful colours to counteract the work. Her work is ver procotive and exotic as she tends to use and present her models in a sexual manor but in some picture you cannot stop it since her paintings can be hard to recognize. The is a hint of image but is mainly overpowered by the strong layering of colours she likes to use to make her pictures unique to any other.
 




I created my own version of her work. I had some spare acetate, I basically applied thick coats of blue hue colours I though might have worked well together. The blues did work but I wasnt very impressed as I had a better prediction that it would turn out much more colourful, as most of the paint ended up blending in with each other. I felt this ruined the effect I was trying to create.