Sunday, 24 June 2012

My Bibliography


Bibliography

Books
  • Hughs, R (1989), Lucian Freud: Paintings, Thames & Hudson, High Holborn, London. ISBN 0500275351.

  • Sylvester, D, Shiff, R, Prather, M (1994), Willem De Kooning: Paintings, National Gallery, Washington. ISBN 0300060114.

  • Hockney, D, (4 Dec 2008) Hockney On Art: Conversations with Paul Joyce, Little Brown, ISBN 140870157X.

  • Bradley, F, (1 Jan 2002), Paula Rego: Modern Artists series, Tate Publishing, ISBN 1854373889.
  • B. H. D. Buchloh, Beate Söntgen, Ulrich Wilmes, Gregor Stemmrich, Haus der Kunst München, Museum Ludwig in Books, - Hatje Cantz, (2008), Gerhard Richter: large abstracts, ISBN 3775722491

Websites

  • A Man and his Grid! Artist Chuck Close! (online) Give us art! Available:http://giveusart.com/2011/08/02/a-man-and-his-grid-artist-chuck-close/(21 June 2012 22:31:08
Galley Visits

Saatchi Gallery

Royal Academy- David Hockney Exhibition

  • http://www.royalacademy.org.uk/21 June 2012 22:45:07

South Bank Centre

  • David Shrigley: Brain activity, Hayward Gallery, South Bank Centre, 1 February-13 May 2012.

My Evaluation


Evaluation

Overall for my evaluation I feel my FMP has been extremely successful.
Throughout my ideas some development work was stronger when it came to painting and drawing others weaker when it came to experimenting with various media. The work I have created has all linked to my Final piece. The artist I feel links to my canvas the most is Chuck close as my piece is very precise and accurate when observing from my photograph.
The comments from my tutors are all positive views. The advice given to me while working through my book helped me concentrate on what I needed to produce when increasing my ideas. The comments from my family are also good as they feel my piece is extremely detailed and has worked well as my final outcome.

My proposal


Holly Riding 
 Fine Art 
Final project proposal
Experimental Portraiture

Review
The skills, techniques and processes I have learnt and used in units 5 and 6 will show in my FMP. Working on projects earlier in the course provided me with a variety of techniques such as using line and mark making, using tone, observing, painting and drawing mainly from installations made from junk. I also constructed an assemblage box, and from this produced a piece using colours based on a limited palette. Experimenting with grids, layers and reflections played a huge part in my work, and as my ideas have progressed, will continue as I carry on towards my FMP.
My project will build on the strengths of my earlier work particularly in the use of colours, layers, surfaces and composition.

Ideas and Concepts
My next step and aim is to explore the theme of portraiture, in doing so I will emphasis the colour, surface and mark-making qualities within the images, and push the work towards producing abstract paintings. One idea I have is to produce and display canvas’s that investigate the boundaries between figurative and abstract art. This will develop in my work as I will create a body of work based around portraiture and colour, using classmates and family as subjects to provide a starting point. I am interested in a wide range of artists and want to experiment with a number of alternative approaches to portraiture.

Contextual Research
The contextual research will help my understanding of the issues I am dealing with and can influence my own pieces. The work of relevant artists can give me a boost, well known artists such as Gerhardt Ritcher, Lucian Freud, Willem De Kooning and Jenny Saville, can suggest ideas and approaches. Individuals that work with not only colour or portraiture but who show expressive abstract qualities in their work are particularly relevant to me. I recently went on a week long study visit to London which has helped me identify relevant artists, and in addition to using the internet and library to find out about other artists I will also use local galleries, as I now realise that paintings are often very different seen in real life to how they look in a book or on a computer screen.

Techniques and Presentation
The primary research I shall undertake will include a series of observational drawings, photographs, and studies of family and friends. This will be providing me with the chance of experimenting in paint with colour, surface and layering, improving and developing my painting style. The methods I can use to create and compose work will be presented in my sketchbook, on a blog, or a journal, and by doing so will show the audience the variety of my thought processes and be able to evaluate my work as I go along. Using collage I can create a raised, textured surface, this can add a further quality to my work. I will be able to present or display my final pieces in the exhibition, either as a series or sequence of inter-related small images or a large scale painting.

Evaluation and Progression
For my evaluation I will gather feedback and helpful information that is given to me, this will not only come from my tutors but also my family and friends. The comments they have to share will help me; feedback that I shall take on board will hopefully identify the strengths and weaknesses of my work. Finally when I put up my exhibition I will also compare my work back against the work of the artists that have influenced me, to see whether I have succeeded in developing work that has some of the qualities of their work.













My exhibition space

The place that I had been given I thought was very reasonable as it was very open, not to cluttered. No lighting was needed since the windows gave out natural lighting that I felt was much better for my pieces.









My photographic joiner

I was going to add this to my exhibition wall, but I had a downfall. As I was cutting the foam board I had mounted it onto, the Stanley knife was not sharp enough, this ended up with the edges becoming extremely ragged and worn down, this did not look professional when it was on the wall, the tutors told me they the exhibition looked perfect as it was. At first I felt disappointed as I had worked well to create it but had let it down by the edges of the foam board.



More pictures from my Final piece

The photographs are all of what I took to show the patience and time, creating it in every way. I am wanting to show the audience the steps I had to go through each time to get past every little mark to pursue my goal.





















My Final Piece




These are the photographs from my Final Canvas piece I created, as you can probably see I wanted to create my realistic look, and I feel that has been a strength and worked very very. The tones and colours I wanted to get as close to the real thing as I could, it was a challenge but I feel I have pulled it off by spending all my time and effort in to making it as perfect as I wanted, until I was happy and felt pleased with it.